Posts relating to school shows.
Posted by Gavin on December 12, 2018
Sometimes, the stories that our students write lend themselves to singing and dancing, and thanks to the incredible musicians in the BOM company, we’re able to make that happen! That’s the case with one of the stories - “The Monster” by Sebi M. - in our Helen C. Peirce School of International Studies show this Friday.
So how do we take a students’ words and turn them into a musical number? Here’s a peek into the process:
BOM musicians often get inspired to turn a story into a song when reading it aloud with their fellow cast members. Maybe its language is extremely poetic, or its plot invokes a certain musical style. Company member Elisa noticed this with “The Monster,” whose original text is as follows:Once o upon a time there was a Monster that was named nothing! The Monster was scary as a dementor but as sad as are rock. Since the monstor was so scary he had no friends! But on day the Monstor went on a walk and all of sudden he heard “crunch, crunch, crunch, crunch!” So the Monster turned around to run back to his cave but when he turned around he saw a Ghol so scary it did not have any friends too! Because the Ghol was as scary as a zombie! So the Monster asked the ghol if they wanted to be friends and the ghol said yes. So they played Ghol/Monster/Tag togher! And they were friends forver!
So she took the story home and composed a song outside of rehearsal.
Song lyrics for everyone!
Once she’d written the song, Elisa brought it back to rehearsal room, where the whole cast listened to her play through the song. That way, everyone could get a feel for its style before delving into its more technical aspects. It also gave Elisa an opportunity to mention helpful details for learning and adapting the story - for example, she wrote the song with a 1940s-style trio in mind, so we added sparkly clothing to our costume list!
Gather ‘round the piano!
Once we’d heard the song a few times, we delegated parts among the cast based on each performers’ particular skills. Two of our singers, Diana and Robbin, decided to step up to sing the main part of the song, and other members of the cast filled in for the ensemble parts. Elisa then went over the music with them, teaching both the main melodies and pointing out moments with room to improvise.
A dramatic transition - complete with jazz hands!
Of course, learning to sing the music in a musical number is important - but the movement and acting choices that accompany the song make the story truly come to life.
For the most part, Oly (playing the monster) and Jen (playing the ghoul) created their own choreography with Artistic Director Brandon ensuring everything looked cohesive. Our musicians played the song while Oly and Jen devised movements for their characters - and the ensemble added other moments to help the story come to life even more.
And they were friends forever!
Practice makes perfect, so we ran the song and staging a few more times. This isn’t just to make sure everyone knows their notes and movements, though - it’s also about trying new jokes, adding new movements, and cutting anything that isn’t needed.
We also looked back at the students’ original writing to make sure the piece still accurately reflected the story, and to add in any details that might have become muddled while adapting. And we’ll also take another look at the song during other rehearsals so we can revisit our work with fresh eyes and ears!
Keep an eye on our Instagram story this Friday morning to hear the final version of the song - as well as more of the amazing stories written by Peirce students!
Posted by Gavin on November 9, 2018
So many stories!
Last year, Barrel of Monkeys taught a shortened residency in the Lake Forest, IL school district for the first time - and this year, we were so excited to do it again! This residency is a bit different than many of our other ones - rather than just teaching in one school, we teach in nine classrooms across three schools, leading to an expansive collection of stories from students. Our school show - adapted from stories that students wrote during the residency - is next Friday, so our cast is currently in the process of reading through stories and choosing which ones to adapt into songs, sketches, and movement pieces.
Artistic Director Brandon Cloyd plans to put about 18 stories into the final show, ensuring there’s an equal representation of the classrooms we taught in, as well as a good mix of stories written by students in groups and stories written by individual students.
Here’s a quick look at two of the stories that the cast has adapted so far:
Dark vs Light
By Steven, Jonah, and Abby
It’s 1879, and the Night Riders, the best Lacrosse team in New York, are up against the Light Riders. The Night Riders think this will be an easy win - after all, they’re the best in the league, and the Light Riders are . . . not. In fact, they’re the worst in the league. The Night Riders face an unexpected challenge, though - the Light Riders’ goalie becomes injured and their Charleston-dancing, surprisingly-athletic water boy fills in.
For this sketch, our cast leaned into the old-timey setting of the story. Leo Thorpe, one of our new Artistic Associates, provided accompaniment with ragtime-style music, our performers brushed up on their silent-movie-era slang, and when deciding what props to use, top hats and evil-villain capes made the list. In it to win it!
The water boy takes charge.
Fartbara & The Revenge of the Cats
By Catherine M., Hugh T., Evan B., and William N.
Fartbara (played by Steph Vondell, another new Artistic Associate) is an 800-year-old woman who lives in a log cabin in space and farts a lot. She also loves cats, especially her cat Whiskers (played by Jean-Carlos Claudio). They have a lovely, quiet life, but that all changes when a group of aliens attacks!
This story is less prop-heavy than Dark vs Light - instead, our actors focused on using clowning and other physical theatre techniques while adapting to bring Fartbara, Whiskers, and the aliens to life. And of course, with a name like Fartbara, we had to include fart noises from off-stage that the performers interact with throughout the sketch. Fartbara holding onto Whiskers for dear life. . .
. . . but she and her cat friends won’t back down!
We still have plenty more stories to read through and devise for next week’s show in Lake Forest. Be sure to take a look at our Instagram story around 10am next Friday to see the final versions of these pieces, as well as the rest of the stories our cast adapts!
Posted by Bradford on November 8, 2017
I have to tell you my friends…..it never gets old. The reaction of authors when their names are called and their stories are performed on stage is absolutely PRICELESS!!! And there were plenty of priceless moments in Katten Landau Studio, when the Hearts to Arts show came to a close this weekend. The audience loved it, and the tribute to the graduating campers was truly inspiring. As promised here’s a few pics from the show!
Laura plays the super villain in The Rise of the Can AKA Cantastrophe
My fancy Wally the Walrus hat in Orangey & Wally Crazy Summer
Tyler’s intro for Dear Purse Landlord story
Mary, Nancy and Lindsey in Dear Purse Landlord
Thanks for reading and have a great week!!!
Posted by Bradford on October 31, 2017
New Monkeys, A New Space, the first show of the year…Oh yeah, that’s what I’m talkin’ about!
This summer Barrel of Monkeys did a residency with Hearts to Arts, a camp run by the Auditorium Theater for kids who have experienced the loss of a parent. During the four day workshop, kids wrote amazing stories ranging from King Banana Face, Cannibal Cows, to people trying to ride the bus with no money. Adding to the excitement, it’s one of the first rehearsals in our new space, and three awesome Artistic Associates are doing their first school show. Noah Appelbaum, Tyler Liams, and stage manager Rachael Koplin are truly awesome in their Barrel of Monkeys debuts. That’s what I’m talkin’ about indeed!
Meet the New Monkeys Yall!
Under the direction of our fearless director Brandon Cloyd, The Auditorium Theater Hearts to Arts show is sure to be a blast. Check back next week for pics from the show!
Posted by Rachel on February 26, 2016
After School Program
One of my favorite things about school shows is working with old friends, like Geoff Rice and Sarah Goeden, whom I’ve known since college in 19-hmm-hmm-hmm. The current Loyola Park show features them along with four amazing friends of Barrel of Monkeys, current volunteer teachers, Katrina Dion and Sarah Sterling, and former volunteers, Patrick Poulin and Michael Whitten.
They are all nailing it.
And so are the Monkey veterans. The whole world deserves to see Sarah Goeden singing Kiran P.‘s “The Day the Family Pets Died” as a series of ukulele-backed, Gorey-esque cautionary tales.
And Geoff Rice has adapted Xitlaly G.‘s modern myth, “The Mountain Top,” into an epic ballad. Kassi Bleifuss plays Ocean, the girl who cries blood when her boyfriend Blue breaks up with her. Patrick will be playing that conflicted jerk, and both of them will be supported by some brazilliant blood puppets. Yes, I said blood puppets.